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	<title>River Lin 林人中</title>
	<link>https://riverlin.art</link>
	<description>River Lin 林人中</description>
	<pubDate>Fri, 12 Jan 2024 11:29:09 +0000</pubDate>
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		<title>River Lin</title>
				
		<link>https://riverlin.art/River-Lin</link>

		<pubDate>Thu, 05 Sep 2019 17:49:31 +0000</pubDate>

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		<description>River Lin
林 人 中
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		<pubDate>Tue, 28 Sep 2021 00:57:05 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

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photo © Puzzle Leung. Courtesy of Vogue Taiwan.

 
river@riverlin.art
riverlin@tpac-taipei.org

︎ / CV / Reviews
	Working across performance and choreography in theatre, dance, visual arts, and queer culture, River Lin is an artist and curator based in Paris and Taipei.&#38;nbsp;In the recent series My Body Is, the choreographic work situates one’s body and its identities in socially engaged encounters, dialogues, and movements, and transforms the understanding of an institutional form and itsarchitecture. His work has been presented by international institutions such as the Centre Pompidou, the Centre National de la Danse, the Palais de Tokyo, Lafayette Anticipations, M+ Museum, Rockbond Art Museum, and the 2016 Taipei Biennale, among others. River is a Shortlist Artist of the 2022 Live Art Prize by ANTI Contemporary Art Festival. His curatorial work advocates for cultural spaces and decolonial knowledge production that strengthen artist communities across local and international arts ecosystems. He works closely with queer, feminist, and Indigenous Peoples artists through dramaturgy, commissioning, and co-production. He is currently Curator at Taipei Performing Arts Center for ADAM, Camping Asia (with CND), and the 2023-2025 Taipei Arts Festival. His recent curatorial projects include the Indonesian Dance Festival (since 2022), the 2025 Direction of YPAM (Yokohama International Performing Arts Meeting), and the FORUM of 2025 Biennale de la Danse de Lyon.&#38;nbsp; 
River has also served as a juror for international projects and organizations, including 2025/26 Onassis AiR, Creative Australia, the 2026 SEDA Prize, and Taipei Artist Village. He has co-edited the OnCurating journal’s Issue 61 “Collective Curating in Performing Arts,” and chief-edited Networked Bodies: The Culture and Ecosystem of Contemporary Performance. River is a Curatorial Board member of the “Curating in Performing Arts” program of Paris Lodron University of Salzburg. 
︎


	
Travaillant entre performance et chorégraphie à l’intersection du théâtre, de la danse, des arts visuels et des cultures queer, River Lin est artiste et curateur basé à Paris et à Taipei. 
Dans sa série récente My Body Is, son travail chorégraphique situe le corps et ses identités dans des rencontres, des dialogues et des mouvements à dimension sociale, transformant la compréhension de la forme institutionnelle et de son architecture.
 Ses œuvres ont été présentées par des institutions internationales telles que le Centre Pompidou, le Centre national de la danse (CND), le Palais de Tokyo, Lafayette Anticipations, le M+ Museum, le Rockbund Art Museum, ainsi qu’à la Biennale de Taipei 2016, entre autres. River a été finaliste du Live Art Prize 2022 du festival ANTI.


Son travail de curation défend des espaces culturels et une production de savoirs décoloniaux qui renforcent les communautés artistiques à l’échelle locale et internationale. Il collabore étroitement avec des artistes queer, féministes et autochtones dans le domaine de la dramaturgie, de la commande et de la coproduction. Il est actuellement curateur au Taipei Performing Arts Center pour ADAM – Asia Discovers Asia Meeting for Contemporary Performance, Camping Asia (avec le CND) et le Taipei Arts Festival 2023–2025. Parmi ses projets récents de curation : l’Indonesian Dance Festival (depuis 2022), la Direction 2025 de YPAM – Yokohama International Performing Arts Meeting et le FORUM de la Biennale de la danse de Lyon 2025.

River a également siégé au jury de projets et d’institutions internationaux, notamment Onassis AiR 2025/26, Creative Australia, le SEDA Prize 2026 et Taipei Artist Village. Il a co-dirigé la publication du numéro 61 de la revue OnCurating, « Collective Curating in Performing Arts », et a dirigé l’ouvrage Networked Bodies: The Culture and Ecosystem of Contemporary Performance. River est membre du comité de curation du programme « Curating in Performing Arts » de l’Université Paris-Lodron de Salzbourg.
︎

跨足行為藝術、視覺藝術、舞蹈、社會參與及酷兒文化等脈絡，林人中的藝術實踐包括研究、創作與策展。2023年起擔任台北藝術節策展人、2022年起擔任印尼舞蹈節共同策展人，現亦為2025里昂舞蹈雙年展客座策展人。
他是2022 歐洲Live Art Prize 入圍藝術家。作品於各地藝術機構與藝術節呈現，包括巴黎龐畢度中心、東京宮美術館、拉法葉基金會Anticipations美術館、法國國家舞蹈中心、東京Tokyo Real Underground藝術節、布魯塞爾龐畢度中心、倫敦現場藝術發展協會、芬蘭ANTI當代藝術節、亞洲當代藝術週、上海外灘美術館、明當代美術館、油罐藝術中心、柏林行為藝術月、芝加哥行為藝術節、格拉斯哥現場藝術節、2016台北雙年展、2020台灣雙年展、雪梨Liveworks藝術節等。曾受邀擔任2017芬蘭現場藝術獎決選團評審。同年，他與台北表演藝術中心合作創辦「亞當計畫」，促進亞太地區藝術家的合作與交流。他曾於2018橫濱TPAM藝穗節策劃台灣項目；2019年與法國國家舞蹈中心共同策劃Camping Asia藝術節。2022年，他策劃了林茲州立美術館The Non-fungible Body藝術節、澳洲BLEED數位雙年展等。1984年生於台北，林人中現旅居巴黎。

	&#38;nbsp;&#38;nbsp;
	
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		<pubDate>Tue, 28 Sep 2021 15:02:10 +0000</pubDate>

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	Collective Curating in Performing Arts
表演藝術的集體策展

Issue 61, OnCurating, 2025.&#38;nbsp;
Edited by Sigrid Gareis, Nicole Haitzinger, Gwendolin Lehnerer, and River Lin



	
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&#60;img width="1960" height="860" width_o="1960" height_o="860" data-src="https://freight.cargo.site/t/original/i/52e9c6013df1a709d69ddd48c5155d73399b26147c21045abe75261c0591e54e/4c03098c6b0c5a28b24c849792289118.jpg" data-mid="236056564" border="0"  src="https://freight.cargo.site/w/1000/i/52e9c6013df1a709d69ddd48c5155d73399b26147c21045abe75261c0591e54e/4c03098c6b0c5a28b24c849792289118.jpg" /&#62;
2023–2025 Taipei Arts Festival


&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/04cec4bbe6bb1d688337092039e5266da680b7b979afed0efa7c46cd0ba00e07/341638_dba4aae8d922c86cd5b5684a5b3fbba9.jpg" data-mid="120110799" border="0"  src="https://freight.cargo.site/w/1000/i/04cec4bbe6bb1d688337092039e5266da680b7b979afed0efa7c46cd0ba00e07/341638_dba4aae8d922c86cd5b5684a5b3fbba9.jpg" /&#62;
Asia Discovers Asia Meeting for contemporary performance / ADAM (2017-onging)


︎ 2024 ADAM Artist Lab

︎ 2024 ADAM Gathering




&#60;img width="1398" height="1792" width_o="1398" height_o="1792" data-src="https://freight.cargo.site/t/original/i/29eaa162898e603f01010a4e1bb411f0114603c8e23caa98b3f16eac3c877ce6/Screen-Shot-2023-01-29-at-5.48.01-PM.png" data-mid="166517452" border="0"  src="https://freight.cargo.site/w/1000/i/29eaa162898e603f01010a4e1bb411f0114603c8e23caa98b3f16eac3c877ce6/Screen-Shot-2023-01-29-at-5.48.01-PM.png" /&#62;
Networked Bodies: the culture and ecosystem of contemporary performance


	


Curatoké: Performance Curators Academy




Camping Asia (2019-onging)



︎Camping Asia 2023


&#60;img width="1478" height="1108" width_o="1478" height_o="1108" data-src="https://freight.cargo.site/t/original/i/0fad557fc0fa38c3882153cf3afcf919cc986c935dbca67502e258611fb8e442/LINE_ALBUM_220101.jpg" data-mid="131820287" border="0"  src="https://freight.cargo.site/w/1000/i/0fad557fc0fa38c3882153cf3afcf919cc986c935dbca67502e258611fb8e442/LINE_ALBUM_220101.jpg" /&#62;
Think School (2021-ongoing)


&#60;img width="3071" height="2009" width_o="3071" height_o="2009" data-src="https://freight.cargo.site/t/original/i/ee93ef7d63b7d1e77e9e13d064b272acf42b973f054396e6f5098dfb13858b40/202111092057banner-03.jpg" data-mid="138165190" border="0"  src="https://freight.cargo.site/w/1000/i/ee93ef7d63b7d1e77e9e13d064b272acf42b973f054396e6f5098dfb13858b40/202111092057banner-03.jpg" /&#62;
2057: Rehearsing ways of Living (2022)


	

talk

	
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/92af74ac3e0866ecfd325fc9db65f75fb211356f31939e74707bcf4b451dd06e/Screen-Shot-2020-04-21-at-16.04.58.png" data-mid="120113261" border="0"  src="https://freight.cargo.site/w/1000/i/92af74ac3e0866ecfd325fc9db65f75fb211356f31939e74707bcf4b451dd06e/Screen-Shot-2020-04-21-at-16.04.58.png" /&#62;
Lecture on performance: online learning series
	
The transformation of performance art in Asia
	Visualizing Networking for Gender Issues Based Creation

	Live art, Performance Exhibition and Expanded Choreography in Taiwan
	Cross-cultural Translation and Collaboration in the Performing Arts in Taiwan
	

	
writing



	
&#60;img width="1752" height="994" width_o="1752" height_o="994" data-src="https://freight.cargo.site/t/original/i/bebbceaf2643747b12a895d309387bad3b9cc70dcdc532992bb3e6595cdf5901/Screen-Shot-2021-09-29-at-10.51.07-AM.png" data-mid="120190940" border="0"  src="https://freight.cargo.site/w/1000/i/bebbceaf2643747b12a895d309387bad3b9cc70dcdc532992bb3e6595cdf5901/Screen-Shot-2021-09-29-at-10.51.07-AM.png" /&#62;
Keep queer and carry on:the art of becoming in Taiwan
	
&#60;img width="2868" height="1434" width_o="2868" height_o="1434" data-src="https://freight.cargo.site/t/original/i/45d8066bdd3e479437bf6dfd815830b6dfd51200b394c1a704fdff8a48da8110/Screen-Shot-2021-09-29-at-10.57.29-AM.png" data-mid="120191112" border="0"  src="https://freight.cargo.site/w/1000/i/45d8066bdd3e479437bf6dfd815830b6dfd51200b394c1a704fdff8a48da8110/Screen-Shot-2021-09-29-at-10.57.29-AM.png" /&#62;
Prognosis of Performing arts in post-covid 19.
	
&#60;img width="2846" height="1456" width_o="2846" height_o="1456" data-src="https://freight.cargo.site/t/original/i/66700e6685afb6e3e2aca81dd48c8eca0e666c1b0f8c878e9a5d79a7c6120afa/Screen-Shot-2021-09-29-at-11.03.54-AM.png" data-mid="120191504" border="0"  src="https://freight.cargo.site/w/1000/i/66700e6685afb6e3e2aca81dd48c8eca0e666c1b0f8c878e9a5d79a7c6120afa/Screen-Shot-2021-09-29-at-11.03.54-AM.png" /&#62;
Living (in) images: Performing (for) the web/cam

	
&#60;img width="2878" height="1514" width_o="2878" height_o="1514" data-src="https://freight.cargo.site/t/original/i/abf0d7b643abbfbe605aded80d259403fbdd564855c33f56c2213af8637efd96/Screen-Shot-2021-10-15-at-4.44.50-PM.png" data-mid="121703295" border="0"  src="https://freight.cargo.site/w/1000/i/abf0d7b643abbfbe605aded80d259403fbdd564855c33f56c2213af8637efd96/Screen-Shot-2021-10-15-at-4.44.50-PM.png" /&#62;
Make the Ecology Alive: Institutional Transformation Performing the Ecological Crisis
	
&#60;img width="2414" height="1102" width_o="2414" height_o="1102" data-src="https://freight.cargo.site/t/original/i/c6b12f7b7663ed91a573af554d995af6ea77b8c8a5d1857f615b2441bb1ac5bd/Screen-Shot-2021-10-04-at-6.32.02-AM.png" data-mid="120615839" border="0"  src="https://freight.cargo.site/w/1000/i/c6b12f7b7663ed91a573af554d995af6ea77b8c8a5d1857f615b2441bb1ac5bd/Screen-Shot-2021-10-04-at-6.32.02-AM.png" /&#62;
Interview with Xavier Le Roy


	

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		<title>presss</title>
				
		<link>https://riverlin.art/presss</link>

		<pubDate>Tue, 28 Sep 2021 16:40:24 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

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	interview / conversation (selected)


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Asia discovers Asia - River Lin’s performing arts platform from Taiwan by PANJ - Performing Arts Network Japan


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A Performance Artist With An Extended Curatorial Practice, Interview by Cristina  Sanchez-Kozyreva, Curtain, 2021.

&#60;img width="2362" height="1408" width_o="2362" height_o="1408" data-src="https://freight.cargo.site/t/original/i/fc9533243e5eb8a365277db047aac7449b77f940bf74f037764c14f12eb513b8/Screen-Shot-2021-09-28-at-6.22.06-PM.png" data-mid="120122962" border="0"  src="https://freight.cargo.site/w/1000/i/fc9533243e5eb8a365277db047aac7449b77f940bf74f037764c14f12eb513b8/Screen-Shot-2021-09-28-at-6.22.06-PM.png" /&#62;Workshopping Performance: in coversation with Stephanie Bailey, OCULA, 2020.
我想親吻你 陌生人, by 尉瑋, 文匯報, 香港, 2018Interview with River Lin, by Performance Space, Sydney, 2016


	review (selected) 

&#60;img width="2842" height="1614" width_o="2842" height_o="1614" data-src="https://freight.cargo.site/t/original/i/21baf89866e42fba6762dab05eafef1f63f2af0a040e7d467939d36d166df073/Screen-Shot-2021-06-19-at-9.00.49-AM.png" data-mid="131821116" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/21baf89866e42fba6762dab05eafef1f63f2af0a040e7d467939d36d166df073/Screen-Shot-2021-06-19-at-9.00.49-AM.png" /&#62;
When Zoom Roomed the World: Performing Nertwork Culture’s Enclosures. 
by Sony Devabhaktuni, Joanna Mansbridge and Susan Sentler. [Collaborative Research in Theatre and Performance Studies], Global Performance Studies. Issue 4.2. Nov, 2021.

&#38;nbsp;&#60;img width="1934" height="1524" width_o="1934" height_o="1524" data-src="https://freight.cargo.site/t/original/i/f468486d6cc4789e591313110be72a8061894e12e39b38052b18f4943a91e7c7/Screen-Shot-2021-10-06-at-12.46.01-PM.png" data-mid="120844723" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f468486d6cc4789e591313110be72a8061894e12e39b38052b18f4943a91e7c7/Screen-Shot-2021-10-06-at-12.46.01-PM.png" /&#62;

Windows into performance art: River Lin’s artistic and curatorial practices. by Freda Fiala, The Theatre Times, Feb, 2021.&#38;nbsp;



&#60;img width="295" height="396" src="https://lh4.googleusercontent.com/ehF6Gx-79Cse9_N_BLzKvsk-L0qHmvvupniOobTrnIoLUyhddVgtzasMJ8Xq2p90dw1XsPZikBE7AreVqeT8V5-MGLmAIQuDLE1ooiBgy7AucVDZ3l42u0oK2CIb-VOafvRHRqz_=s0"&#62;
Subversive roleplay, by Chloe Chu, Art Asia Pacific, issue14, Jul/Aug 2019 
&#60;img width="1444" height="1642" width_o="1444" height_o="1642" data-src="https://freight.cargo.site/t/original/i/b9a03f29fafdbed65b036fa7c385e01867b23ac41156817606ba3a3488572279/Screen-Shot-2021-09-28-at-6.27.46-PM.png" data-mid="120122963" border="0"  src="https://freight.cargo.site/w/1000/i/b9a03f29fafdbed65b036fa7c385e01867b23ac41156817606ba3a3488572279/Screen-Shot-2021-09-28-at-6.27.46-PM.png" /&#62;Living Archive, by Alexandra Chaves, CANVAS Magazine, April 2019&#38;nbsp;


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M+ Live Art: Audience as Performer, by Pamela Wong, ArtAsiaPacific, Hong Kong, 2018Focus Taiwan , by Audrey Chazelle, Mouvement, 2018&#38;nbsp;Ritual of another kind, by Nikki Heywood, Realtime magazine, issue 135 Oct-Nov, Sydney, 2016.Sparks fly as a kiss makes it better , Lyn Gardner, The Guardian, 2016&#38;nbsp;River Lin au 7.5 Club Paris, by Smaranda Olcèse-Trifan, Abras le Corps, Paris, 2015.人，機構中的幽靈, 陳泰松, 典藏今藝術, 台北, 2016.








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		<title>artist cv</title>
				
		<link>https://riverlin.art/artist-cv</link>

		<pubDate>Sat, 28 Sep 2019 08:57:04 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

		<guid isPermaLink="true">https://riverlin.art/artist-cv</guid>

		<description>
	artist cv
	



	Festival / Group exhibition (selected)
2023︎Actoral Festival, Marseille.&#38;nbsp;
2022︎ANTI Contemporary Arts Festival, Kuopio.
︎My body is queer history museum, Galerie&#38;nbsp;
Lafayette Anticipations, Paris.
2021︎Nuit Blanche Taipei, online
︎Tableaux vivants, Centre Pompidou, Paris. ︎Camping, Centre National de la Danse, Paris.&#38;nbsp;
︎Tokyo Real Underground Festival, Tokyo.︎Vector#1: Exhibition of Experimental Live Art, Goodman ARt Center, Singapore.&#38;nbsp;

2020︎Re:Play, Taiwan Contemporary Culture Lab, Taipei. ︎Taiwan Biennial, National Taiwan Museum of Fine Arts, Taichung. ︎Once More with Feelings, Live Art Development Agency, online. ︎Performance Homwork, Kunsthaus Graz, online.︎Sensory Yoga, National Taiwan Museum of Fine Arts, Taichung. ︎Everyman is an artist, Chi-wen gallery, Taipei.
2019
︎Negation of You, Nan-hai Gallery, Taipei. ︎RAM Hightlight, Rockbund Art Museum, Shanghai ︎Ming contemporary Museum, Shanghai ︎Tank Art Festival, Tank Shanghai, Shanghai 

︎Performatik- Biennial of Performance Art, Brussels︎Asia Contemporary Art Week's Field Meeting, Dubai/New York.
2018
︎Serendipity Arts Festival, Goa︎Sydney Contemporary Art Fair, Sydney
︎Camping, Centre National de la Danse, Paris.︎M+ Live Art: Audience as Performer, M+ Museum, Hong Kong ︎Jeune Creation, Beaux arts de Paris.︎Do Disturb Festival, Palais de Tokyo, Paris︎Festival Cabaret of Curiosities, Le Phénix Theatre, Valenciennes︎Tempting Failure - London's Biennial of International Performance Art and Noise 
2017︎Air Plant, Yo-Chang Art Museum, NTUA, Taipei ︎ArtTrend International Performance Art Festival, Tainan︎There After Here: Performing a Verb, Vernacular Institute, Mexico City︎Off Site - Istanbul, PASAJ Studio, Istanbul︎ANTI Contemporary Art Festival, Kuopio︎Arena, Taipei Fine Arts Museum, Taipei︎Draw to Perform, Brighton 
2016
︎Taipei Biennial, Taipei Fine Arts Museum︎Weiwuying Arts Festival, Kaohsiung︎Liveworks Festival, Performance Space, Sydney︎Asia Now- Paris Asian Art Fair, Paris
︎DanzInc Festival, Singapore ︎Mafinesta Biennial 11, Cabaret de Künstler-Zunfthaus Voltaire, Zurich︎Rapid Palse International Performance Art Festival, Chicago︎Being in Asia- Body Performance in Contemporary Theatre, Rockbund Art Museum, Shanghai︎Contemporary Art Weekend, The Manuel Rivera-Ortiz Foundation, Arles ︎Duration &#38;amp; Dialogue Performance Art Festival, Toronto.
2015︎
frasq #7 Performance Art Festival, Paris ︎Passage Pas Sage Festival, Paris︎Rapid Pulse International Performance Art Festival, Chicago ︎Month of Performance Art-Berlin ︎Draw to Perform, London ︎Buzzcut Festival, Glasgow︎Liegen – Sitzen – Stehen – Gehen – Springen – Fliegen/Fallen Was Menschen tun – und wie , Künstlerforum Bonn, Bonn. 


Solo project
 2016︎Encounter Project: The Exhibition of Our Own, Taipei Artist Village, Taipei. 2015︎Where The Body Is/ Was, 1012 Gallery, Brussels. ( with Béatrice Didier)︎Everything Dances in its Right Place, 7.5 Club, Paris.&#38;nbsp; 





	Curatorial project (selected)
 2023-ongoing︎Taipei Arts Festival
2022-ongoing︎Indonesian Dance Festival, Jakarta.
2022︎The Non-Fungible Body Festival, Upper Austria State Museum, Linz.
2019-onging︎Camping Asia, Centre National de la Danse with Taipei Performing Arts Center, Taiwan.2017-onging︎ADAM (Asia Discovers Asia Meeting for Contemporary Performance), Taipei Performing Arts Center, Taiwan. 2018︎If On A Winter's Night An Employee, TPAM Fringe, Yokohama2016︎Musée de la Danse in Taipei , Taipei Performing Arts Center in collaboration with Taipei Fine Arts Museum, Taiwan.

Workshop / Talk (selected)
2021︎Tokyo Art Festival, online
︎Tukar Tangkap Koreografi Indonesia – Artistic Development Program, online︎
Taiwan Biennial with Asian Culture Council, online
︎Tanzpakt Dresden Academy, Hellerau, online
2020︎Lecture on performance Series, online
︎APAM, Melbourne
2019︎Ming Contemporary Art Museum, Shanghai
︎Rouckbund Art Museum, Shanghai
︎Kyoto Art Center, Kyoto︎Dansehallerne, Chopenhagen ︎KAAI Theatre, Brussels
︎Asia Contemporary Art Week Field Meeting 6, Dubai
2018︎Time Place Space, Arts House, Melbourne︎Performing Asia, APAM, Brisbane
2017︎Yum Lab, Metro Arts, Brisbane︎Draw to Perform, Brighton
Residency program

2017︎Vernacular Institute, Mexico City︎Off-site project, Istanbul
2015︎Performance Space, Sydney ︎Cite International des Arts, Paris


Education
 2010︎MA, Performing Arts, National Taiwan University of Arts, Taipei.




</description>
		
	</item>
		
		
	<item>
		<title>public collection</title>
				
		<link>https://riverlin.art/public-collection</link>

		<pubDate>Fri, 12 Jan 2024 11:29:09 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

		<guid isPermaLink="true">https://riverlin.art/public-collection</guid>

		<description>
	My Body is a Public Collection(2023)&#60;img width="2560" height="1709" width_o="2560" height_o="1709" data-src="https://freight.cargo.site/t/original/i/c22a9366f6de1ec19a18f87135dbc1c9cf22ed927f150126c8117cdb8355b825/Dans-le-cadre-du-prelude-dactoral-_River-Lin_-a-ete-donne-dans-le-hall-du-Mucem--Juliette-Larochette-scaled-ezgif.com-webp-to-jpg-converter.jpg" data-mid="201536038" border="0"  src="https://freight.cargo.site/w/1000/i/c22a9366f6de1ec19a18f87135dbc1c9cf22ed927f150126c8117cdb8355b825/Dans-le-cadre-du-prelude-dactoral-_River-Lin_-a-ete-donne-dans-le-hall-du-Mucem--Juliette-Larochette-scaled-ezgif.com-webp-to-jpg-converter.jpg" /&#62;

	Avec les danseurs et danseuses Martin Boyer, Edward Napoleon, Giorgia Talami, Jen Van Der Pijl, Casper Tveterraas Hauge (BNM) et les guests Mathilde Monnier, Christophe Ives, Simon Courchel, Jung-Shih Chou, and Kazuki Fujita,&#38;nbsp;l’artiste River Lin et les danseuses et danseurs du Ballet national de Marseille (avec d’autres danseurs invités) investissent les espaces du Mucem afin de relire, rejouer et réorganiser la collection du musée en y insufflant leurs histoires personnelles et affectives.

D’un lieu à l’autre, d’un objet à l’autre, et d’un mouvement à l’autre, My Body Is a Public Collection propose mille manières de regarder les objets de la collection et les interactions entre humains et non-humains. Le public est invité à circuler dans le musée pour y rencontrer des performances et, lui aussi, réinventer ces collections.

	Concept: River LinDramaturgie: Aymar Crosnier 
Danseurs et danseuses apprentis du Ballet National de Marseille : Martin Boyer, Edward Napoleon, Giorgia Talami, Jen Van Der Pijl et Casper Tveterraas Hauge

Danseurs et danseuses invités : Mathilde Monnier, Simon Courchel, Christophe Ives, Jung-Shih Chou, Kazuki Fujita

Commission: Actoral Festival
Co-production : Actoral Festival, MUCEM, Ballet National de Marseille
8-9 September, 2023

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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5d7562b193cfa7b260b6e32f7ada3363ffa5bf0931741571f961165c14614742/IMG_0814.jpg" data-mid="201536677" border="0"  src="https://freight.cargo.site/w/1000/i/5d7562b193cfa7b260b6e32f7ada3363ffa5bf0931741571f961165c14614742/IMG_0814.jpg" /&#62;
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photo: River Lin</description>
		
	</item>
		
		
	<item>
		<title>queer academy</title>
				
		<link>https://riverlin.art/queer-academy</link>

		<pubDate>Sun, 11 Dec 2022 10:17:05 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

		<guid isPermaLink="true">https://riverlin.art/queer-academy</guid>

		<description>
	My Body is a Queer Academy(2022)&#38;nbsp;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a3dab3ea48db19095e64540e1b453fbdbf4f01c26b0c1567f7e3d743f7c0d94c/2022-11-12_16-30-50-XT2F9714.JPG" data-mid="161592825" border="0"  src="https://freight.cargo.site/w/1000/i/a3dab3ea48db19095e64540e1b453fbdbf4f01c26b0c1567f7e3d743f7c0d94c/2022-11-12_16-30-50-XT2F9714.JPG" /&#62;


	Followd by My Body is a Queer History Museum&#38;nbsp;and&#38;nbsp;My Body is a Queer Library, My Body is a Queer Academy is conceived for and in working with Helsinki University of Arts’s Live Art and Performance Studies (LAPS) master program, as a workshop-based performance proposal.&#38;nbsp;
My Body is a Queer Academy is a workshop about ‘workshopping’, inviting the artists at LAPS to ‘queer’ the body of academic production and training of their ‘master program.’ They investigate what makes art schools and artist-run schools, reimagine and invent an alternative curriculum for LAPS, proposing ways of learning, embodying cultural politics, and process-orientated knowledge production.
The new/alternative/performative curriculum developed through a 5-day workshop includes:
Negative Space by Tina Jeranko
 Whispering Histories by&#38;nbsp;Ladapha Sophonkunkit
Orient-action by&#38;nbsp;Onur Tayranoğlu
Aerobic Reading by&#38;nbsp;Stefanía Ólafsdóttir
Economic translation by&#38;nbsp;Sooyoung Park
Post-translating by&#38;nbsp;Yun-Chen Chang
As a ‘process-oriented production’, workshopping is participatory performance as the process of workshopping knowleage.&#38;nbsp;

	Concep: River LinArtistic collaboration and performance:&#38;nbsp;Yun-Chen Chang, Ladapha Sophonkunkit, Sooyoung Park, Stefanía Ólafsdóttir, Tina Jeranko, Onur Tayranoğlu

With the Live Art and Performance Studies (LAPS),&#38;nbsp;Helsinki University of Arts.&#38;nbsp;
12 November, 202215:00-16:00

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photo:&#38;nbsp;Antti Ahonen</description>
		
	</item>
		
		
	<item>
		<title>queer library</title>
				
		<link>https://riverlin.art/queer-library</link>

		<pubDate>Sun, 06 Nov 2022 05:58:47 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

		<guid isPermaLink="true">https://riverlin.art/queer-library</guid>

		<description>
	My Body is a Queer Library(2022)&#38;nbsp;
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	After My Body is a Queer History Museum, conceived for the 2022 Live Art Prize’s nomination,&#38;nbsp;My Body is a Queer Library proposes a series of performances and live actions to ‘queer’ what constitues a library in an actual library.

A library is a cultural, educational and scientific institution that organize and collects knowledge production open to the public. While a contemporary library today has also functioned as a cultural centre, performing cultural collectivity to engage with community members through events or public programs has been as well taken into account. In this context, the artist River Lin questions what a queer library would look like when a library goes live through living bodies as a temporary library within an existing spatial structure of a library.

My Body is a Queer Library&#38;nbsp;brings together a group of Finland-based performers as a durational takeover to open up discussions and question what makes a library, what makes a library queer, what a queer library look like, and how ‘queer’ can facilitate our practices and understandings of acknowledging our bodies as a container and collection of of knowledge, education and everyday life.


	Concept, choreography and artistic direction: River Lin
Performance: Emilia Anttila, Yunchen Chang, Dasha Che, Samuli Emery, Juho Kela, Vishnu Vardhani Rajan, Simo Salim, Lindon Shimizu
Production: ANTI – Contemporary Art Festival, in collaboration with Kuopio City Library (Kuopion kaupunginkirjaston), as part of Live Art Prize 2022.

17 September, 202211:00-14:00


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photo:&#38;nbsp;Akseli Muraja / ANTI Festival 2022</description>
		
	</item>
		
		
	<item>
		<title>Queer museum</title>
				
		<link>https://riverlin.art/Queer-museum</link>

		<pubDate>Tue, 28 Sep 2021 10:36:41 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

		<guid isPermaLink="true">https://riverlin.art/Queer-museum</guid>

		<description>
	
	My Body is a Queer History Museum(2019/2022)
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/1b30a6fe36683c4af7b8f475ea173e0778c4c3cbb5c286d6faa5c5ba16928b80/FK8A3732.JPG" data-mid="145217557" border="0"  src="https://freight.cargo.site/w/1000/i/1b30a6fe36683c4af7b8f475ea173e0778c4c3cbb5c286d6faa5c5ba16928b80/FK8A3732.JPG" /&#62;



	
&#38;gt; Paris 2022
Concept, choreography &#38;amp; direction :&#38;nbsp; River LinCuration: Madeleine Planeix-CrockerProduction: camin aktionMusic: Alexandre BouvieWith Sherwood Chen, Wanjiru Kamuyu, Calixto Neto, Shihya Peng, Kai Simon Stoeger

 21-22 May, 2022. Lafayette Anticipations, Paris. In the context of Seen Through Others, solo exhibition by Xinyi Cheng.
&#38;gt; Taipei 2019Concept, choreography &#38;amp; direction :&#38;nbsp; River Lin performance: Tseng Chih-Wei, Chang Ko-Yang, 
Hsu Sheng-Han , Chien Shih-Han, Huang Gia-Yeh, Sherwin Chimera, Lee Song-En. 
 7-8 December, 2019.Kuandu Museum of Fine Arts, Taipei, as part of project Liqueered curated by Yu Cheng-Ta.
 ︎ Video doc (Taipei)
	Speculating what a queer museum would look like and feel like and considering the body of a museum is where historical embodiments and social progress have been collected and performed, My Body is a Queer History Museum is a performance project taking over a museum or exhibition spaces through choreographed happenings, community engagement and participation.&#38;nbsp;

In the Paris re-staged edition for the Lafayette Anticipations,&#38;nbsp;My Body is a Queer History Museum arises from the following question: How to imagine a queer intervention within the context of an existing structure and exhibit?

This idea is channeled through physical embodiment, as it is part of a performative heritage that seeks to disrupt the modalities and spaces of representation, questioning their various forms of hospitality. 

As such, My Body is a Queer History Museum proposes the creation of a temporary museum within an existing exhibit space, using the personal stories and gender politics of a dedicated group of performers. These non-binary life materials relate queer journeys and experiences, reflecting a multiplicity of oblique, deviant identities and ways of seeing the world.

The stories become the live material for happenings that will be presented over two days (durational performances of 4 hours). Choreographed phrases, readings of poetic texts and social manifestos, participatory activities: each initiative is an opportunity for the public to connect with the stories and the context within which they are shared.

If River Lin’s work seems to find its place within artist Xinyi Cheng’s solo exhibit, it is because it resonates with the intimate moments – fleeting and fervent – that the visual artist has captured on canvas. River’s performative gesture is an amplification of Cheng’s sensorial encounters (on fire, in the cold, in water) through the manifestation of their effects on the bodies that traverse and live them. 

Thus, the performance of a museum within an exhibit becomes a surprising and inviting opportunity to consider relational narratives (about bodies, affects, wants, and desires). The stories set in motion are glimmers that suddenly appear - like a match lit at night, a spark in the dark.



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Photo by Chloé Magdelaine - Lafayette Anticipations (Paris, 2022). By You-wei Chen, Wei Chang, and Kuandu Museum of Fine Arts (Taipei, 2019)
</description>
		
	</item>
		
		
	<item>
		<title>Transgender Exercise </title>
				
		<link>https://riverlin.art/Transgender-Exercise</link>

		<pubDate>Thu, 31 Mar 2022 14:03:17 +0000</pubDate>

		<dc:creator>River Lin 林人中</dc:creator>

		<guid isPermaLink="true">https://riverlin.art/Transgender-Exercise</guid>

		<description>
	Transgender Exercise (2022)&#38;nbsp;



	Transgender Exercise is a collaborative series and research-based project of Pin-Wen Su and River Lin presenting its first stage of performance process in the framework of ‘2057: Rehearsing ways of living’ for the 35th anniversary of the National Theatre of Taiwan in 2022.&#38;nbsp;The project begins with questioning the gender identities of the National Theatre of Taiwan physically and socially, and the sexuality of an public arts institution. Meanwhile, to the artists, ‘gender neutrality’ is not only the neutural or decoding state between the masculine and feminine, but more radidically is a gender spectrum itself. In this context, gender neutrality has its own transgender fludity and performativity. 

&#38;nbsp;
Transgender Exercise: A Theatre, as its first act and excercise, invites audience members to together exolore the sexuality of the Naitonal Theatre’s black box theate through participation and workshopping during which the artists divide its dimension into 4 parts: the reception, the stage, the backstage and the ceiling.&#38;nbsp;
Through a performative theatre tour, audiences are encouraged to touch, discover and rethink what makes a theatre space masculine, feminine, sexual and sexy, and conditions that people can transform themselves and a theatre into transgender progresses.&#38;nbsp;


	Concept, choreography and performance: Pin-Wen Su and River Lin
24 March, 2022
Duration: 70 mins
Production: National Theatre of Taiwan, part of TIFA- Taiwan International Festival of Arts, 2022.


photo by Youwei Chen</description>
		
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